Saturday, March 1, 2014

Bead Fest Philadelphia Workshops!

I am delighted to announce that Reem Iversen and I will be team-teaching three of our original designs at the BIGGEST bead show on the East Coast! Bead Fest Philadelphia is a huge beading event, with hundreds of vendors displaying their wares and dozens of classes about all aspects of jewelry making (not just beading!).


Here is the link:

Bead Fest Philadelphia, August 20-24, 2014, in Oaks, PA
The Greater Philadelphia Expo Center
100 Station AvenueOaks, PA  19456

These are the Workshops we will be teaching:

Saturday, Aug. 23, 5:30-8:30 pm                      The Road to Morocco Bracelet                          
We love this bracelet; it is made using flat herringbone stitch and embellished with sparkly Czech fire-polished crystals.


Sunday, Aug. 24, 8:30-11:30 am                  
Roman Holiday (Earrings or Pendant)                 
We will wake up bright and early to teach this beaded bead, made with lots of beautiful Swarovski crystal pearls.  It can be made into earrings or a pendant for your favorite chain.


Sunday, Aug. 24, 1:00-4:00 pm
From Russia With Love Earrings

These delicate earrings are a great project for learning St. Petersburg stitch!



Tuesday, November 12, 2013

BEADWORK Quick and Easy 2013 special issue


I am delighted to have three projects included in BEADWORK magazine's 2013 special issue: Quick and Easy.  There are two of my earring designs and a bracelet that is a collaborative design with my friend, fellow bead enthusiast, and bead-weaving teaching partner, Reem Iversen.  When it comes to designing, choosing color schemes, or working out the details for our pattern instructions, two heads are better than one!  

The Chevron Poppy Bracelet is a design that Reem and I developed for our Bead weaving students at the Princeton Adult School.  They are the best pattern testers!  The bracelet is made with chevron stitch, as is the flower-shaped beaded button that is used as the clasp.  

The Monreale Earrings were inspired by a visit to the medieval cloister of Monreale, in Sicily.  I tried to capture some of the flavor of the architecture by using long twisted bugle beads that remind me of the pairs of slender, twisted columns in the cloister.  One feature that I loved was that each of the columns has a different surface decoration.  So the earrings can be decorated in different ways too!  Try substituting 3x4mm Chinese crystals for the 3mm firepolished beads or charlottes for the size 15º seed beads.  
Please be sure to file the sharp edges of your bugle beads before making these earrings--these beads can be sharp enough to cut even Fireline thread!  I use a fine jeweler's file; similar files can be purchased at just about any hardware store.

For a while, I was fixated on Celtic knots; I tried several different ways to express these intricately worked knots in beadwork.  One of my successful attempts (there were many failures!) resulted in the Celtic Knot Earrings. Three pair of these earrings are shown in the magazine, but who has noticed that in one pair, the knot goes in the opposite direction? That is because the metallic green/seafoam pair was made by Reem Iversen and she is a left-handed beader.  She was testing the pattern directions for me and we realized that there are right-hand Celtic knots and left-hand ones.  You can see the difference in this diagram:
So, if you are a left-handed beader, your knot will look like the one on the left, while a right-handed beader will end up with the one on the right.
If you follow the basic technique in the magazine, but make a strip of herringbone that is 100 rows long, you can tie it into a four-sided Celtic knot.  This makes a nice pendant for a necklace, as shown at left.

Friday, August 9, 2013

Heart-to-Heart Bracelet clasp variations

I love to have choices!  I am by nature a problem solver and I enjoy thinking about different ways to solve any given problem.  So here are two ideas for creating variations of the clasp I used in my Heart-to-Heart Bracelet, which is featured in the Aug/Sept. 2013 issue of BEADWORK magazine (pp. 70-73).  The clasp is a "bead and loop" type, but for security, it uses two beads that go through one ring (made of farfalle beads, using RAW stitch).  Getting the clasp ring just the right size is a little tricky and relies on culling your farfalle beads to choose some of the fatter ones.  If that is too fussy for you, here are a couple of alternative ways to finish the clasp.
pass back down through the 4th bead

1) Don't change a thing from the printed instructions, but add a second loop of 15º beads.  To make the second loop, after adding the two clasp fringes, weave half way around the final RAW unit so that the thread exits the farfalle bead in the last RAW unit that is opposite the farfalle bead that has the two fringes for the clasp.  Pick up 27 size 15º beads; pass back down through the fourth bead picked up, making a loop of 24 beads.  Pick up 3 size 15º beads; pass through the farfalle bead.  Repeat the entire thread path twice, to reinforce, then secure and trim the thread.

ready to pick up the last 3 beads
To use the clasp, you pass only the 6mm bead on the long fringe through the RAW farfalle ring.  Then pass the 6mm beads, one at a time, through the second loop made of 15º beads (starting with the short fringe, then the long fringe).  Using this variation, you don't need to fuss with the size of the RAW farfalle ring since only one of the 6mm fringes needs to fit through it.  But you have the security of the second loop: once you pass BOTH 6mm beads through it, they will be tight enough to not slip back out easily.


the completed loop
Variation 1: only the long fringe goes through the RAW ring; both fringes go through the second loop
2) If you are still working on the bracelet, you can make some modifications to the printed instructions:  that is, make the RAW farfalle ring larger than the printed instructions and the two beaded fringes longer.  Then add the second loop of 15º beads.  With this clasp variation, you will pass both of the fringes through the RAW ring and then pass both of them through the second loop.
  • First, when you make the RAW farfalle clasp ring, add one (or two) more RAW units, so that when you close up the ring there are 13 (or 14) farfalle beads at the center of the ring.  While the two fringes pass snugly through the original 12-unit ring, this 13- or 14-unit ring will be large enough to allow both 6mm fringes to pass through easily.
  • Then, when you make the two clasp fringes, make each of them longer than in the printed instructions.  For fringe 1, string 24A, 1E, and 1A.  Complete this fringe as in the instructions, except you will pass back through 21A.  For fringe 2, string 32A, 1E, and 1A.  Complete as in the instructions, passing back through all but the last 3A before adding the final 3A.
  • Finally, weave half way around the final RAW unit of farfalle beads so that your thread exits the farfalle opposite the one to which you just added the fringes.  Follow the instructions for variation 1 above to add the loop of 15º beads.
To use the clasp, pass the long fringe through the RAW ring first and then pass the short one through (they should fit through this larger ring easily).  Then pass the long fringe through the loop of 15ºs, followed by the short fringe.  Easier to use and very secure!
Variation 2: Larger ring and longer fringes; both fringes pass through the ring and the loop



Sunday, July 28, 2013

Heart-to-heart bracelet



This was a very exciting month, because the first design I have had accepted for publication is now out!  My "Heart-to-Heart Bracelet" is in the Aug/Sept issue of BEADWORK magazine.  For this bracelet, I used Czech farfalle beads, Swarovski crystal pearls, seed beads, and Czech fire-polished beads.  I figured out a way to take simple right-angle-weave strips of farfalle beads and shape them into curves to create heart shapes, ovals, and circles.  Using the peanut-shaped farfalle beads, I was able to achieve a look that is similar to cubic right-angle-weave, but without quite so much work!  I am very happy with the bracelet and I hope many beaders enjoy making it.  Working with the editors at BEADWORK magazine was a wonderful experience, too!  And there is more...the BEADWORK October special issue will include two of my earring designs and a bracelet that Reem Iversen and I designed together.  Reem and I are so exciting!

Here is the link to the Aug/Sept issue of BEADWORK magazine.

If you are interested in making the bronze version of the bracelet, which is pictured at the top of p. 72 of the magazine, here is a list of the colors I used:

Copper-lined crystal size 15º seed beads
Bronze Czech farfalle beads
Bordeaux Swarovski crystal pearls
Dark Bronze Czech fire-polished beads


Monday, July 15, 2013

Bead Encore logo

Welcome to my blog! 

This blog will be primarily about beadwork and bead weaving. But every once in a while some tatting--or better yet some tatting with beads--will find its way in. 

But first, let me explain my logo:  


Because I am a musician, I thought it would be appropriate to have a musical logo for my beading persona.  And then I realized...you can spell "B E A D" in music notation!  Because I am a harpsichord player and love to play continuo from figured bass, I naturally decided to use the bass clef.  So the notes on the staff, in the bass clef, are B...E...A...D.  Perfect!  Then, because I love to work with tiny little seed beads, placing them one after another into my beadwork, I needed a repeat sign.  Get it: "Bead; repeat"!  So that is my logo--maybe it's clever or maybe it's just corny, but I like it!